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Hal Leonard
Product gallery: Page 1 of 1 What A Wonderful World, Ed Lojeski

Details

Product number: smd-63544
Instruments: Choir
Genre: Stimmung
Choir: Mixed Choir 3-part
Difficulty: Medium
Mood: Inspiring
Artist: Ed Lojeski
Authors: Armstrong , Louis , Lojeski , Ed , Weiss , George David , Thiele , Bob
Pages: 9
Publisher: Hal Leonard
cover: What A Wonderful World, Ed Lojeski

What A Wonderful World - Sheet Music for Ed Lojeski

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detail.downloadInfo5 100% Legal & Licensed
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detail.downloadInfo7 No Subscription. One-Time Purchase.
detail.downloadInfo8 Instant Download after Purchase

Details

Product number: smd-63544
Instruments: Choir
Genre: Stimmung
Choir: Mixed Choir 3-part
Difficulty: Medium
Mood: Inspiring
Artist: Ed Lojeski
Authors: Armstrong , Louis , Lojeski , Ed , Weiss , George David , Thiele , Bob
Pages: 9
Publisher: Hal Leonard

Product Description

"What A Wonderful World" sounds immediately like the famous original in choral performance – warm, calm, and full of depth. These choral scores for three-part mixed choir are aimed at ensembles with solid choral experience. Singers must be able to shape a smooth legato tone with confidence and maintain balance across three independent voice parts.

Choral Score "What A Wonderful World" – Warm Ballad for Mixed Choir

"What A Wonderful World" was written by songwriters Bob Thiele and George David Weiss and became world-famous through Louis Armstrong. The song celebrates the beauty of everyday life – colors, trees, sky, children's faces. Ed Lojeski, well known for his choral arrangements of popular songs, has set the piece for three-part mixed choir. The arrangement preserves the intimate, meditative character of the original and makes it fully accessible to an ensemble setting.

F major gives this arrangement its bright, open tonal quality. The tempo is calm and flowing – no urgency, no forward drive, but rather a steady, almost suspended motion. The voicing for soprano, alto, and baritone allows for a richly filled homophonic texture – the parts frequently move together in step, carrying the melody as one. The piano accompaniment supports the ensemble without overpowering it. The dynamic markings here speak for themselves: legato and controlled breath flow define the sound from beginning to end.

Rehearsing the baritone part without piano accompaniment first quickly reveals how it carries the harmonic foundation – and how much stability that gives the soprano and alto above it. The piece's understated energy depends on a calm, even tone production across all three voices. No excess vibrato, no forcing in the upper register – the breath flows, and the phrase sustains itself. The dynamic markings are not ornamental; they are structural: singers who read the dynamic arcs as breath arcs will shape the texture almost instinctively.

The score is available for immediate download after purchase. 100% licensed – ready to perform legally, right away.

Editorially reviewed by the notendownload.com team

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