Details
| Product number: | smd-63544 |
|---|---|
| Instruments: | Choir |
| Genre: | Stimmung |
| Choir: | Mixed Choir 3-part |
| Difficulty: | Medium |
| Mood: | Inspiring |
| Artist: | Ed Lojeski |
| Authors: | Armstrong , Louis , Lojeski , Ed , Weiss , George David , Thiele , Bob |
| Pages: | 9 |
| Publisher: | Hal Leonard |
What A Wonderful World - Sheet Music for Ed Lojeski
€3.49
Please note the minimum purchase is 10 itemsDetails
| Product number: | smd-63544 |
|---|---|
| Instruments: | Choir |
| Genre: | Stimmung |
| Choir: | Mixed Choir 3-part |
| Difficulty: | Medium |
| Mood: | Inspiring |
| Artist: | Ed Lojeski |
| Authors: | Armstrong , Louis , Lojeski , Ed , Weiss , George David , Thiele , Bob |
| Pages: | 9 |
| Publisher: | Hal Leonard |
Product Description
"What A Wonderful World" sounds immediately like the famous original in choral performance – warm, calm, and full of depth. These choral scores for three-part mixed choir are aimed at ensembles with solid choral experience. Singers must be able to shape a smooth legato tone with confidence and maintain balance across three independent voice parts.
Choral Score "What A Wonderful World" – Warm Ballad for Mixed Choir
"What A Wonderful World" was written by songwriters Bob Thiele and George David Weiss and became world-famous through Louis Armstrong. The song celebrates the beauty of everyday life – colors, trees, sky, children's faces. Ed Lojeski, well known for his choral arrangements of popular songs, has set the piece for three-part mixed choir. The arrangement preserves the intimate, meditative character of the original and makes it fully accessible to an ensemble setting.
F major gives this arrangement its bright, open tonal quality. The tempo is calm and flowing – no urgency, no forward drive, but rather a steady, almost suspended motion. The voicing for soprano, alto, and baritone allows for a richly filled homophonic texture – the parts frequently move together in step, carrying the melody as one. The piano accompaniment supports the ensemble without overpowering it. The dynamic markings here speak for themselves: legato and controlled breath flow define the sound from beginning to end.
Rehearsing the baritone part without piano accompaniment first quickly reveals how it carries the harmonic foundation – and how much stability that gives the soprano and alto above it. The piece's understated energy depends on a calm, even tone production across all three voices. No excess vibrato, no forcing in the upper register – the breath flows, and the phrase sustains itself. The dynamic markings are not ornamental; they are structural: singers who read the dynamic arcs as breath arcs will shape the texture almost instinctively.
The score is available for immediate download after purchase. 100% licensed – ready to perform legally, right away.
Editorially reviewed by the notendownload.com team
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