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Musik Fabrik Music Publishing
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Product gallery: Page 1 of 10 S.W.E.N. , , (Orgel Solo)
Product gallery: Page 2 of 10 S.W.E.N. , , (Orgel Solo)
Product gallery: Page 3 of 10 S.W.E.N. , , (Orgel Solo)
Product gallery: Page 4 of 10 S.W.E.N. , , (Orgel Solo)
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Product gallery: Page 9 of 10 S.W.E.N. , , (Orgel Solo)
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Details

Product number: MFJTB033 pdf
Arrangement:Solo
Instruments:Organ
Genre:Classical
Era:Contemporary
Authors:Boisseau, Jean-Thierry (1949-*)
Pages:9
Publisher:Musik Fabrik Music Publishing

S.W.E.N. - Sheet Music for Orgel Solo Jean-Thierry Boisseau

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Solo

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Details

Product number: MFJTB033 pdf
Arrangement:Solo
Instruments:Organ
Genre:Classical
Era:Contemporary
Authors:Boisseau, Jean-Thierry (1949-*)
Pages:9
Publisher:Musik Fabrik Music Publishing

Product Description


Cette petite suite de quatre courtes pièces pour orgue à été conçue pour un positifsans pédalier. (8,8,4,2,mixture.)

On peut aussi la jouer sur un grand orgue, à condition, dans ce cas, de traiterl´instrument comme un blockwerk. On ne doit en aucun cas changer de registration encours de pièce (les indications de registrations pourront bien entendu êtretransgressées). Si d´aventure, on souhaite jouer ces quatre pièces sur deux claviers, onpeut le faire à condition de ne pas différencier les registrations d´un clavier à l´autre(ex : si mixtures sur le I, mixtures sur le II, anches sur le I, anches sur le II etc). Si latentation se fait sentir d´ajouter une partie improvisée de pédale, l´auteur n´en prendrapas ombrage, si c´est fait avec goût...

On pourrait, pour faire chic comme dans les années 60/70, choisir l´ordre d´exécutionde ces quatre pièces, mais, entre nous, est-ce vraiment utile?

Jean-Thierry Boisseau

SWENfor OrganThis little suite of four short pieces for Organ was conceived for a " portativ " withoutpedals (8.8.4.2.mixture)

It may also be performed on a large organ, with the condition that the organ should betreated as " Blockwerk ". The performer should not change the registration in thecourse of each movement (the registrations given may, of course, be changed ifnecessary). If the performer wishes to play these works on two seperate keyboards, itwould be necessary to have the same registration on each keyboard (ie if mixture onthe I, mixtures on the II : reeds on I, reeeds on II etc). If the performer is tempted toadd an improvised pedal part, the composer would have no problem with that if itwere done with taste.

One could also, to be chic, change the order of the pieces in the manner of the worksof the 1960s and 1970s, but, between us, would that really be necessary?

Jean-Thierry Boisseau



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