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Musik Fabrik Music Publishing
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Product gallery: Page 1 of 8 Il Fuoco Rubato Anamorphoses III , , Piano Solo
Product gallery: Page 2 of 8 Il Fuoco Rubato Anamorphoses III , , Piano Solo
Product gallery: Page 3 of 8 Il Fuoco Rubato Anamorphoses III , , Piano Solo
Product gallery: Page 4 of 8 Il Fuoco Rubato Anamorphoses III , , Piano Solo
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Details

Product number: MFMN001 pdf
Arrangement:Solo
Instruments:Piano
Genre:Classical
Era:Contemporary
Piano:Piano Solo
Authors:Nataf, Marie-Agnès
Pages:7
Publisher:Musik Fabrik Music Publishing

Il Fuoco Rubato Anamorphoses III - Sheet Music for Piano Solo Marie-Agnès Nataf

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Details

Product number: MFMN001 pdf
Arrangement:Solo
Instruments:Piano
Genre:Classical
Era:Contemporary
Piano:Piano Solo
Authors:Nataf, Marie-Agnès
Pages:7
Publisher:Musik Fabrik Music Publishing

Product Description


NOTES pour IL FUOCO RUBATO

Anamorphoses III

Il fuoco rubato fait partie d´un ensemble de 3 pieces pour piano solo, intitule Anamorphoses,
constitue de Bartoquade I, Bartoquade II b et Il fuoco rubato. Ces pieces peuvent s´enchainer
comme un tout, dans cet ordre (duree 5´), ê,tre jouees separement, ou groupees par 2
(Bartoquades I et II b, duree 3´). Une mê,me demarche regit l´ecriture de ces compositions :
prendre modele sur des oeuvres du repertoire et les transformer le plus possible tout en
preservant nombre de parametres importants.

Les tres nombreuses alterations de precaution ne sont pas mises entre parentheses pour ne pas
alourdir davantage l´ecriture. Elles ne sont pas mentionnees de maniere systematique. En cas
de doute, on s´en remettra a la coherence de la composition. On pourra par endroits repartir
differemment les notes entre les 2 mains a condition de respecter les equilibres sonores. Le
signe *[ mesure 80 designe un cluster chromatique (Fa-Fa#-Sol).

NOTES for IL FUOCO RUBATO

Anamorphoses III

Il fuoco rubato is one of the 3 pieces for piano solo Anamorphoses whose titles are
Bartoquade I, Bartoquade II b and Il fuoco rubato. These pieces can be linked together as a
whole, in that order. The duration is of 5 minutes. They can also be played separately, or
grouped by two (Bartoquades I et II b, duration 3´). The same approach governs the writing of
these compositions : taking model on works of the repertoire and transforming them as much
as possible while keeping a lot of important parameters.

There are many cautionary accidentals. They are not enclosed in brackets to avoid
overloading writing. They are not systematically mentionned. In case of doubt, one will
consider the logic of the composition. When useful, one can distribute differently notes
between the 2 hands on the condition of respecting the balance between voices. The sign *[
on measure 80 means chromatic cluster (F-F#-G).



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