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Solid Brass Music
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Product gallery: Page 1 of 10 Canzona per Sonare No. 1, "La Spiritata", , Tuba Quartett Eett
Product gallery: Page 2 of 10 Canzona per Sonare No. 1, "La Spiritata", , Tuba Quartett Eett
Product gallery: Page 3 of 10 Canzona per Sonare No. 1, "La Spiritata", , Tuba Quartett Eett
Product gallery: Page 4 of 10 Canzona per Sonare No. 1, "La Spiritata", , Tuba Quartett Eett
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Product gallery: Page 7 of 10 Canzona per Sonare No. 1, "La Spiritata", , Tuba Quartett Eett
Product gallery: Page 8 of 10 Canzona per Sonare No. 1, "La Spiritata", , Tuba Quartett Eett
Product gallery: Page 9 of 10 Canzona per Sonare No. 1, "La Spiritata", , Tuba Quartett Eett
Product gallery: Page 10 of 10 Canzona per Sonare No. 1, "La Spiritata", , Tuba Quartett Eett

Details

Product number: BC003 pdf
Arrangement:Quartet
Instruments:Euphonium , Tuba
Genre:Renaissance
Era:15.-16. Jahrhundert
Quartet:Brass Quartet
Brass Quartet:Tuba Quartet
Difficulty:Moderate
Authors:Gabrieli , Giovanni (1557-1612)
Pages: 9
arrangers:Cummings , Barton
Publisher:Solid Brass Music
cover: Canzona per Sonare No. 1, "La Spiritata", , Tuba Quartett Eett

Canzona per Sonare No. 1, "La Spiritata" - Sheet Music for Tuba Quartett Eett Giovanni Gabrieli

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Quartet
Moderate

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Details

Product number: BC003 pdf
Arrangement:Quartet
Instruments:Euphonium , Tuba
Genre:Renaissance
Era:15.-16. Jahrhundert
Quartet:Brass Quartet
Brass Quartet:Tuba Quartet
Difficulty:Moderate
Authors:Gabrieli , Giovanni (1557-1612)
Pages: 9
arrangers:Cummings , Barton
Publisher:Solid Brass Music

Product Description

One of Gabrieli's most frequently performed works, arranged by Barton Cummings. Euphonium parts in bass clef only. Difficulty level 4 (Intermediate) brings very demanding rhythms to the piece. Syncopations are used freely, as are the more extreme ranges for all instruments.

This music has become so well-known that little needs to be said about it or its performance. It is important to remember that the instruments used by musicians today do not correspond to their counterparts in Gabrieli's time and that what we might have been able to do technically was not possible then. Likewise, it should be noted that established performance practices have prevailed in the performance of this music. In this arrangement, therefore, great emphasis is placed on articulation, dynamics, and phrasing imposed on the performers. Good intonation and musical playing are sufficient for the performance of this music.

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